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HUDSON VALLEY MUSIC |
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. ...... Pictures from performance by Quintet of the Americas at New York University's Frederick Loewe Theater (6/15/2010):
"Hudson Valley Music gives an audience a powerful experience. The performance leaves them 'electrified' and with a feeling of 'unresolved hope'. They are receptive. A performance of this work is an effective way to open a talk on Environmental Issues." Chris Kaufman's HUDSON VALLEY MUSIC can be 'redesigned' for your chamber ensemble or solo instrument. More information BELOW: PRESS for Brochure ......................................................... Chris Kaufman's Hudson Valley Music features Live performance by musicians, a CDTape of Sound Design and Music including hundreds of Natural Sounds from the Hudson River Valley Environment, and a film of Visual Images created from both Natural Images and the Art of Ken-Cro-Ken and Alice Cotton. The Composer Writes: "...For this project I have assembled hundreds of natural sounds. With these I have worked extensively - creating interwoven backdrops of sound over which the musicians perform. I have also created original instruments from the sounds of living creatures... I perform music onto the tape... and compose with orchestral sounds to create powerful rhythmic ostinatos in the central portion of the piece and peaceful textures at the end. Throughout the work musical themes are shared by the sound design, the animals and the live players..." A Quick Overview .....of Chris Kaufman's Hudson Valley Music: HUDSON VALLEY MUSIC tells a story - the audience is given an experience. The work invites them to experience the beauty of nature, gives a feeling of immediacy in regards to environmental issues, and leaves them receptive to hearing speakers on these issues. .................................................................................................................. 'OCEAN' - The story of Chris Kaufman's Hudson Valley Music begins in the ocean at the mouth of the river - the audience hears ocean surf, whalesong and beautiful melody from the players. The sounds of canoe oars paddling is a part of the music and enhances the feeling of being inside the experience. The sounds of Beluga recorded underwater are composed into an eerie soundscape as the surf and whalesong gradually change sides, giving the impression of turning towards the shore. .. The music flows to the shoreline - you hear shorebirds and water sounds shift from ocean to river water. A 'symphony of bird song' begins the second movement of the work - 'FOREST BINARIES'. Here the musicians perform wild 'nature fugues', solos and climaxes against a backdrop of rhythmic textures created from frogs, insects, birds, orchestral instruments and original instruments created from natural sounds such as the 'oyster toadfish drum'. The music reaches a frenzy - "the madness of unfettered invention" - and works to an infusion of positive energy before moving into the third movement - 'TRANSITION INTO NIGHT'. ........................................................ Here a tapestry of sound is woven from crickets, wolfsong chorus, incisive coyote sounds, bats, red-wing blackbird, bear growls and moose. This composition sounds twice - the first alone and the second time it is integrated with music performed by the Quintet. The fourth movement is titled 'INDUSTRIAL STORM: BIG BONE CREEK'. The sound design music is created from industrial sounds such as pile drivers, original instruments created from metallic crashes and clashing armour from film music/sound effect libraries. Kaufman also designed the sound of a roaring Mastodon from elephant, elk, bowed gong and thundersheet. The music the players perform express fear. The idea of this movement is to create a feeling of fear and immediacy - a touch of the flight or fight reflex - to bring the issue of climate change to the foreground of the listeners' mind. Mastodon bones were discovered in the upper Hudson River Valley - and later to the west in a place the Native Americans called 'big bone creek' - and were a part of their mythology. The bones were also collected by founding fathers George Washington and Thomas Jefferson and symbolized to them the 'Violence of Nature' and 'Empire'. ...............................................................................
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This picture is the result
of the extracting Natural Gas from the The last movement is titled '...AND THE EARTH IS OUR SPIRITUAL HOUSE'. This movement is beautiful and peaceful yet still retains the passionate intensity of the preceding music. Kaufman did not wish to tie in to a specific religion, but rather the spiritual awe John Muir must have felt when in nature. The principal animal characters return in a new chorus composed of their sounds.
PRESS to see Kaufman's Preconcert Talk Notes for more about the Story of this Work. HUDSON
VALLEY MUSIC can be 'redesigned' for your If ‘first
of kind’ you receive: Contact
Chris Kaufman for fee schedule Original Commission by: BARBARA OLDHAM (Quintet of the Americas) Christopher Kaufman's HUDSON VALLEY MUSIC was featured on Quintet of the Americas' 30th Anniversary season. Their season was presented in concert with the Wildlife Conservation Societys''Mannahatta Project' - which concerns history and sustainability of the Hudson River Valley environment. The version for 6 players was premiered on Ensemble Pi's 'Echo System' event Cooper Union Great Hall (3/19/2011). The version for 4 players was premiered at the Society For New Music event - Natural Beauties - 7/22/2011. The first solo version was performed on 3/22/11 by David Unland at Ithaca College (tuba). 'Ocean Nocturne' was developed for the New London Wind Festival and premiered 11/18/11. 'Designs'
of HUDSON VALLEY MUSIC completed thus far: 'Ocean Nocturne' from Hudson
Valley Music - for woodwind quintet Hudson Valley
Music for 6 players
(fl., vln., hn., clar., vc. and pno.) Hudson Valley Music for 4 Players (vln., clar., vc. and pno.) Solo versions: Horn, Oboe, Tuba TIMINGS: The Ensemble Arrangements have a short version (15') and full version (21'). The Solo versions average 12'. Ocean Nocturne (just under 10') Mr. Kaufman would like to acknowledge the Cornell Lab of Ornithology Macaulay Library - the world's largest archive of animal sounds and video - which was a source for many of the sounds Mr. Kaufman used in Hudson Valley Music. Links: The Commissioners: Barbara Oldham - First Commissioner Idith Meshulam - Commissioned version for Six Players Neva Pilgrim - Requested version for Four Players Catherine Pluygers - Developer for 'Ocean Nocturne' The Players: Sato Moughalian, Barry Crawford, Charlotte Munro - Flute Airi Yoshioka , Cristina Buciu - Violin Matt Sullivan , Catherine Pluygers - Oboe Nick Gallas , John Friedrichs, Phil Edwards - Clarinet Barbara Oldham, Karl Kramer, Henryk Sienkiewics - Horn Maureen Strenge, Glyn Williams - Bassoon Claire Bryant , George Macero - Cello Idith Meshulam , Sar Shalom Strong - Piano David Unland - Tuba Robert Coleridge - Conductor KEN-CRO-KEN - Artist Alice Cotton - Artist Sean
Unland - Tekkie The Organizations: The Catskill Mountainkeeper - Directed by Ramsey Adams The Wildlife Conservation Society -Stephen Sautner, Asst. Dir. of Conservation Communications The Locations: Frederick Loewe Theater - NYU, The Noble Maritime Museum - Staten Island, NY, The Bayside Historical Society - Queens, NY, Wave Hill - Bronx, N Y, Cooper Union Great Hall - NYC, 1st Presb. Church - Cazenovia, NY, Langston Hughes Theater - Flushing, NY, Rockaway Artists Alliance Exhibition - NY, The Waterfront Museum - Brooklyn, NY, The Salvation Army Queens Temple |
LISTEN:
Quotes: "Kaufman knows
how to combine sounds and visuals to make a convincing mix. - Barbara Oldham, director of Quintet for the Americas " 'Ocean Nocturne' for wind
quintet fulfilled (our) request perfectly. The music beautifully
compliments the very moving and timely DVD - about nature, the environment
and our deep relationship to our surroundings. Comments from Audience Members:: "I did not like new music before... I liked only Mozart and the others... but now I do!.. "We are all abuzz... we are electrified!..." "I loved the way you combined the performers and animal sounds as one music...especially the bear sounds..." "The moment the piece began I was transported and swept along..." "That was the most entertained I've ever been in my life!" "Just wanted to tell you I attended the concert on Friday night and it was fabulous. I attend a lot of concerts each year, and I have to rate this in the top 10 for this season..." "You are the 21st Century Nostradamus!" - Captain of the Salvation Army |
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Below you can see a Music
Player and Video Clips. These samples do not represent the effect of a
live performance of Hudson Valley Music. The 'mix' of live instruments
and sound tape is perfected in the hall - to the advantage of the players.
The video is projected behind them or to the side. The samples below however
- though mostly short clips - give an idea of how the music sounds and
the piece flows together. Also, you will see examples of how the music
matches with the video to tell the story of Hudson Valley Music. Feel
free to visit my Youtube
site to see clips of other works. |
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VIDEO CLIPS |
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OCEAN
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FOREST
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TRANSITION TO NIGHT
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INDUSTRIAL STORM
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AND THE EARTH IS OUR SPIRITUAL HOUSE
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Here is a movement from MUSIC FROM EARTH titled 'AIR' - a work of similar design which I composed for saxophonist Demetrius Spaneas for his tour of Russia, The Balkans and Europe last season. This example is the 'slide film' I developed for the presentation with music attached.
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